Alex Pretti - Not Such a Good Guy After All
The media and politicians lied to you again. Footage is from a week earlier than the incident with ICE.
Alex Pretti - Not Such a Good Guy After All
The media and politicians lied to you again. Footage is from a week earlier than the incident with ICE.
Step into the strange and uncomfortable world of the circus sideshow, where people pushed to the margins of society were placed under the spotlight. Beneath the bright lights and loud music were lives shaped by both opportunity and exploitation. Performers with rare conditions were presented as wonders, drawing huge crowds while also facing ridicule, restriction, and, in some cases, outright bans for being considered too shocking for public display.
This piece looks at thirty real individuals whose lives unfolded within that world. It asks what daily life was like for them and how they coped with fame, discrimination, and the limits placed on them by society. Their stories challenge simple ideas of spectacle and cruelty, revealing an era of entertainment where admiration and exploitation often existed side by side, leaving a complicated and lasting mark on history.
Andre René Roussimoff was born in France in 1946 and grew to become one of the most recognisable figures in professional wrestling history. His extraordinary size, caused by acromegaly, set him apart from an early age and eventually shaped his entire life. By the time he entered wrestling, Andre was already a natural attraction, combining immense physical presence with surprising agility. He wrestled across Europe, Japan, and the United States, earning the nickname The Eighth Wonder of the World and becoming a central figure in the rise of wrestling as global entertainment.
Outside the ring, Andre became a cultural icon, most famously through his role as Fezzik in The Princess Bride, where his gentle charm contrasted with his intimidating stature. Despite his fame, his life was marked by constant physical pain and the challenges that came with his condition. Andre continued performing long after it became difficult, driven by loyalty to fans and promoters. He died in 1993 at the age of 46, leaving behind a legacy that blended myth, spectacle, and genuine humanity in a way few performers ever have.
Climate executives spill SECRETS about “Carbon Taxes,” weather modification, and chemtrails.
A WEF climate elite who works with three-letter agencies and DARPA discusses hidden plans about “artificial rain.”
“Black Rock is behind us!”
O’KEEFE INFILTRATES DAVOS WORLD ECONOMIC FORUM:
— James O'Keefe (@JamesOKeefeIII) January 20, 2026
Climate executives spill SECRETS about “Carbon Taxes,” weather modification, and chemtrails.
A WEF climate elite who works with three-letter agencies and @DARPA discusses hidden plans about “artificial rain.”
“Black Rock is behind… pic.twitter.com/WW158l5rHT
Online trading has evolved from a niche financial activity into a truly global, mainstream phenomenon. Advances in technology, widespread internet access, and the growth of mobile trading platforms have made it possible for millions of people to trade currencies and other financial instruments from almost anywhere in the world. As participation expands, so does scrutiny, which explains why many newcomers quickly begin asking “is OctaFX legit or safe?” when exploring international trading platforms for the first time.
Ultimately, popularity invites attention, and attention invites scrutiny. In the global forex market, clearer understanding comes from education, verified information, and realistic expectations — not from assumptions shaped by online noise. Traders who evaluate platforms through documented practices and long-term consistency are far better equipped to navigate online trading with confidence.
The Charlie and Amelia memes emerged as a sharp online backlash to a UK state funded video game designed to steer young people away from extremism. The game, Pathways, cast players as Charlie, a teenager navigating social and political choices, with other characters used to signal perceived risks. Amelia, presented as outspoken on immigration and framed as a warning sign of far right influence, quickly became the flashpoint. Many viewers felt the portrayal blurred the line between extremism and ordinary political opinions, and that it painted a narrow and unfair picture of teenage attitudes. Screenshots and clips spread rapidly, with criticism focusing on the idea that normal teenage views were being treated as something dangerous or suspect.
Rather than discouraging discussion, the game appeared to do the opposite. Amelia in particular was adopted by online communities and transformed into a meme figure, often shared ironically or affectionately in ways that undercut the original message. Charlie and Amelia became shorthand for scepticism towards government funded messaging and the tone it takes when talking about young people and politics. The memes thrive on exaggeration and humour, but they also reflect a deeper frustration with how complex views are simplified and moralised. What began as an educational project ended up fuelling a cultural moment, where satire and mockery became the dominant response.