Sky News host Rita Panahi has strongly criticized the political left, accusing them of spreading false information about the man accused of killing Charlie Kirk.
“They’re lying,” Panahi said. “They’ve shared doctored images of the suspect wearing a Trump shirt and attempted to paint him as a MAGA supporter or Republican simply because his family is religious and conservative.”
She added, “This individual is clearly the black sheep of the family. It goes to show that being raised in a conservative, faith-based household doesn’t necessarily protect someone from adopting dangerous ideologies.”
Charlie Kirk was a passionate advocate for conservative values and a dedicated champion of youth engagement in American politics. As the founder of Turning Point USA, he built a movement that reached over 3,500 high schools and college campuses, empowering young people to embrace free-market principles and limited government. His commitment to these ideals resonated with many, and he became a prominent figure in the conservative landscape.
Beyond his activism, Kirk was a devoted family man, married to Erika Frantzve, a former Miss Arizona USA, and together they had two children. His assassination on September 10, 2025, was a tragic loss, but his legacy continues to inspire those who believe in the power of youth to shape the future of the nation.
Warner Bros. Discovery Home Entertainment releases The Last of Us: The Complete Second Season on 4K Ultra HD Steelbook, 4K Ultra HD, Blu-ray and DVD on September 22, 2025.
And to celebrate we have a copy on 4K Ultra HD Steelbook to give away!
Synopsis:
Five years after the events of the first season, Joel and Ellie are drawn into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.
Season two returning cast includes Pedro Pascal as Joel, Bella Ramsey as Ellie, Gabriel Luna as Tommy, and Rutina Wesley as Maria. New cast includes Kaitlyn Dever as Abby, Isabela Merced as Dina, Young Mazino as Jesse, Ariela Barer as Mel, Tati Gabrielle as Nora, Spencer Lord as Owen, Danny Ramirez as Manny, and Jeffrey Wright as Isaac. Catherine O’Hara also guest stars as therapist, Gail.
Send your name, address and of course the answer to competition365@outlook.com
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1. Closing date 29-09-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
Iryna Zarutska’s story should have been one of survival, not tragedy. At 23, she had fled the war in Ukraine and sought a safer life in Charlotte, North Carolina, only to be brutally killed on a light-rail train in August 2025. CCTV footage shows her quietly scrolling through her phone before she was suddenly attacked by a man later identified as Decarlos Brown Jr, a repeat offender with a long history of violence and untreated mental illness.
He stabbed her multiple times in the neck and chest, leaving passengers in shock and a community reeling. Her death has sparked outrage well beyond Charlotte, with critics pointing to failures in the justice system and gaps in mental health care that allowed a dangerous man to walk free until it was too late. Now her name has become a painful symbol of both the vulnerability of refugees seeking safety and the consequences of a system that protect violent black criminals, and refuses to put them in jail for their crimes, all in the name of diversity and equity.
Tyler Moore, a New York City school teacher and father of three, recently found himself unexpectedly in the spotlight after a viral photo of him wearing a Speedo while holding his daughter in the air made waves online. The moment drew attention from the TODAY Show, where host Jenna Bush Hager paused over the image and commented on “a man thigh.”
Moore, 39, told Inside Edition that he was taken aback by the focus on his legs. He argued that the reaction highlights a clear double standard in society: women can wear similar swimwear without facing the same scrutiny, while men are often mocked. For Moore, the attention wasn’t just humorous—it was revealing.
In response, Moore showed Inside Edition a collection of Speedos he owns, emphasising that his choice of swimwear is normal and entirely unremarkable. He explained that holding his daughter in the air was simply a playful, loving moment, and that the photo was meant to capture fun family interaction rather than spark commentary about his body.
The story has sparked wider discussion about gender expectations, body image, and how society reacts differently to men and women in similar situations. Moore’s perspective adds a personal voice to a conversation that has gone far beyond a single viral snapshot.
During a tense third-round match at the 2025 Cincinnati Open, Emma Raducanu paused play due to a persistent crying child in the stands. At 3-4 down in the final set against world No. 1 Aryna Sabalenka, Raducanu appealed to the chair umpire, stating the child had been crying for about ten minutes. The umpire responded, "It's a child. Do you want me to send the child out of the stadium?" The crowd audibly supported Raducanu, prompting her to raise her racket and smile. Despite the disruption, Raducanu held serve in a lengthy 13-deuce game but ultimately lost the match 7-6(6), 4-6, 7-6(7). The incident sparked widespread discussion about spectator behaviour and player concentration in tennis.
Lately, there’s been a worrying trend in the UK around internet censorship and the suppression of free speech. It feels like the government and big platforms are tightening their grip. The result isn’t just about protecting people from harmful content. It’s starting to look like an outright clampdown on what can be said online.
The problem with this kind of control is how quickly it can slip from reasonable regulation into overreach. When the line between protecting citizens and policing opinions blurs, freedom gets trampled. People are growing increasingly concerned that expressing dissenting views or controversial opinions could lead to being silenced or even punished.
What’s worse is the lack of transparency. Decisions about what gets taken down or flagged often happen behind closed doors with little accountability. This creates an environment where self-censorship takes hold. If you’re unsure whether your words might trigger some digital punishment, you’re less likely to speak out at all.
Free speech isn’t about agreeing with everything that’s said but about having the right to say it. When the internet becomes a place where voices are carefully filtered and controlled, society loses the very foundation of open debate. Right now, it feels like the UK is heading in the wrong direction, and that should worry us all.
Leather jackets have earned a reputation for being incredibly durable, and honestly, it’s hard to find anything that comes close. Unlike synthetic materials, which often wear out quickly or tear under pressure, leather stands up to the test of time. It’s naturally tough, resistant to abrasion, and only gets better with age.
One of the key reasons leather outlasts synthetics is its unique structure. The fibres are tightly woven and dense, giving it strength and flexibility at the same time. Over the years, synthetic fabrics can crack, peel or fade, especially when exposed to sun and moisture. Leather, on the other hand, develops a patina a kind of weathered look that many find appealing and which actually adds character to the jacket.
Another factor is breathability. Synthetic materials often trap heat and moisture, which can break down the fabric faster. Leather breathes well, helping prevent sweat build-up and reducing wear. It’s also easier to clean and repair; minor scratches or scuffs can often be buffed out or conditioned back to life.
Sure, leather jackets can be heavier and more expensive upfront, but their durability makes them a long-term investment. For anyone looking for a jacket that lasts through years of wear and still looks great, leather remains unbeatable. Synthetic alternatives just don’t measure up.
Paul Joseph Watson is a British media commentator and writer known for his outspoken views on culture, politics, and society. He has built a following through his engaging and provocative content, often sparking discussion and debate on current events. Over the years, Watson has established himself as a recognizable voice in online media, demonstrating a consistent ability to engage audiences and communicate his perspective with clarity. His work reflects a commitment to addressing topics that resonate with his followers, and he has become a notable figure for those interested in alternative commentary and analysis.
Liam Neeson showed a surprisingly playful side with improvisational comedy during his appearance on Life’s Too Short. Known mostly for his intense roles in action and drama, Neeson’s guest spot on the show revealed a different talent.
Life’s Too Short is a mockumentary-style comedy created by Ricky Gervais and Stephen Merchant, focusing on the awkward life of a fictional version of actor Warwick Davis. Neeson’s cameo leaned into this awkward humour, with plenty of moments that felt genuinely improvised rather than tightly scripted.
Neeson’s natural timing and willingness to embrace the ridiculousness made the scenes work. Rather than sticking strictly to lines, he played off the other actors, adding spontaneous reactions and subtle shifts in tone that gave the comedy an easy, organic flow. It’s a reminder that even actors known for serious roles can shine when they loosen up and dive into improv.
This appearance stands out because it shows a side of Neeson many might not expect, relaxed, playful, and quick on his feet. It’s a brief but effective demonstration of how improvisational comedy relies not just on jokes but on the ability to listen, react, and make the moment work naturally. For fans, it’s a fun glimpse of Liam Neeson in a lighter, more spontaneous light.
Murderville’s first episode throws you straight into its wild mix of comedy and crime. Will Arnett stars as Detective Terry Seattle, who works with a new celebrity guest each time to solve a murder. The twist is that the guest has no script and must improvise their way through the case.
In this opener, Arnett teams up with Conan O’Brien, whose quick wit fits the show’s unpredictable style perfectly. The mystery itself is a classic locked-room murder with a cast of quirky suspects and clues scattered around. Watching Conan improvise as the scenes unfold adds a fresh humour that makes it enjoyable even if you’re not usually into murder mysteries.
The show embraces its improvisational nature without feeling sloppy. It balances story and comedy well enough to keep viewers engaged. Right from the start it’s clear that Murderville is not about a tightly plotted whodunit. The real fun comes from watching actors think on their feet while the murder mystery simply provides the backdrop for all the chaos.
Anne Rice’s Mayfair Witches returns for a spellbinding 2nd season that heralds the return of Alexandra Daddario as steely sorceress Rowan Fielding, who faces her deadliest threat yet in this gorgeously gothic horror series that's back to enchant audiences once more.
Season 2 is set for its Blu-ray, DVD and digital release on 25 August, alongside the Seasons 1 & 2 Box Set, courtesy of Acorn Media International.
And to celebrate we have a copy of season 2 on blu-ray to give away!
Synopsis:
It’s back to the streets of New Orleans where Rowan (Daddario) is facing the challenges of motherhood after giving birth to the embodiment of the demonic entity Lasher. For Rowan, being a Mum is truly like nothing else, as Lasher provides her with abilities she’s never experienced before… but these elevated powers come at a cost and soon begin to threaten her very existence…
The complicated connection to her son increases as he grows at an alarmingly rapid rate, speeding through his teens into adulthood. As Lasher grows, he begins to struggle with his own wants and desires, causing him to spiral dangerously out of control, threatening the entire Mayfair bloodline.
As blood is spilled and more lives are put at risk, Rowan must decide whether her newfound powers are worth the cost of those closest to her.
Prepare to be bewitched by Anne Rice’s Mayfair Witches Season 2, which promises to cast a spell over audiences with more sinister scares than ever before.
Tongayi Chirisa plays which character in Anne Rice's Mayfair Witches?
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions
1. Closing date 01-09-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
Steven Crowder is a Canadian-American commentator, comedian and media host best known for his sharp humour and outspoken presence online. Rising from stand-up comedy into political and cultural commentary, he built a large following through his show Louder with Crowder, where he mixes satire, debate and discussion in a style that connects with a broad audience. Crowder is recognised for his ability to blend entertainment with serious topics, often encouraging open conversation and critical thinking in an engaging way.
The 1999 interview between Conan O’Brien and actress Kari Wuhrer on Late Night has gone down as one of the most awkward moments in late-night TV history. It’s a rare example where the charm of the host, usually quick-witted and confident, seemed to falter under the weight of some uncomfortable exchanges.
Wuhrer, known at the time for her roles in shows like Sliders and films such as Anaconda, appeared on the show promoting her work. But from the start, the interview felt off. There was an odd tension between the two, partly sparked by some clumsy attempts at flirtation and jokes that didn’t land. The natural rhythm you expect in a talk show was missing. Instead, it became a bit of a stilted back-and-forth, with both trying to find footing but not quite succeeding.
Conan’s usual humour, which often diffuses awkwardness, seemed to only heighten the discomfort. Meanwhile, Wuhrer’s responses came across as guarded and occasionally defensive, as if she wasn’t sure how to handle the situation. Some viewers have pointed out how the awkwardness might have been amplified by the live audience, making it harder for both to relax.
Looking back, the interview feels like a snapshot of a moment where things just didn’t click. It’s become a sort of cult classic among late-night fans, watched both for cringe and for the human side it shows behind the polished facade of television interviews. Everyone has an off day, and this one just happened to be on camera for all to see.
George R.R. Martin has spent more than a decade promising readers the long-awaited sixth book in his A Song of Ice and Fire series, The Winds of Winter. Over the years he has offered progress updates, tentative optimism and the occasional missed deadline. But in December 2024, during an interview with The Hollywood Reporter, his tone shifted in a way that felt different. Asked about the possibility he might never finish, Martin said, “Maybe they’re right. I don’t know.” It was a quiet admission, but it landed heavily with fans who have been waiting since 2011.
That moment was not a dramatic announcement. It felt more like the culmination of years of delays. The 76-year-old author has openly acknowledged the immense pressure that comes with following up the global success of Game of Thrones. He has also been busy with television projects, spin-offs and other commitments that have kept him away from the desk for long stretches.
In early 2025, Martin reiterated that the book is not “imminent”, which seemed to dampen any hope that his December remark was just a passing moment of doubt. For many readers it confirmed what they had quietly suspected for years. The end of his epic might never arrive in the form they had imagined.
Martin says he is still working on the novel in between other projects, and has never formally abandoned it. Whether The Winds of Winter will ever reach the shelves remains uncertain, but fans are slowly learning to live with that possibility.
One of the funniest scenes in Peacemaker came from something that wasn’t even in the script. John Cena, playing Christopher Smith, was supposed to say just two names. That was it. Two quick examples of people who could go to prison instead of his team. But when the cameras rolled, Cena didn’t stop at two.
He started listing names. Then kept going. Then kept going some more.
For almost two full minutes, he rattled off a surreal, endless stream of people. Real celebrities, random public figures, fictional characters. The rhythm was wild. Some names were said with total seriousness, others just came out like he was digging through his own mind in real time. And somehow, it worked.
You can see the reactions from the cast shift from confused to barely holding it together. Jennifer Holland, trying not to laugh. Steve Agee, staring ahead like he’s waiting for it to end but not sure when that’ll be. The scene starts to feel less like a scripted show and more like an on-set meltdown that no one wanted to stop.
It happened fast, but the tension stayed. Ricky Gervais was mid-monologue, glass in hand, doing what he always does. Cutting through the glitter and fake grins like it was nothing. Then came the line. A quick joke about the Epstein list. He didn’t say much, just enough to light the fuse.
The laugh that followed wasn’t real. Not fully. It came late, like the room needed a second to decide whether it was safe to react. Some people chuckled, stiff and shallow. Others sat still, eyes forward, like they were hoping not to be noticed. It was the kind of moment that makes you hyper-aware of who's watching. And maybe more than that, who's not laughing.
The camera cut around the room, catching little flickers of unease. A tight smile here. A swallowed laugh there. No one really knew how to sit with it. That joke wasn’t just a dig. It was a crack in the surface. And it reminded everyone, for a brief uncomfortable second, that not every name in the room comes with clean hands.
Gervais didn’t pause. He didn’t need to. He just let the silence do the work. The room, so good at pretending, had to sit with something real. No punchline to soften it. Just the noise of people pretending to laugh, hoping it would pass quickly. And it did. But not without leaving a mark.
The North American house hippo is one of those quirky commercials that has stuck with people for decades. Released in 1999 by Concerned Children’s Advertisers in Canada, it was designed to encourage kids and families to be critical of what they see on TV. The ad shows a tiny, hamster-sized hippopotamus quietly living in a regular Canadian home, doing things like making a nest out of socks and nibbling on crumbs. It’s presented so matter-of-factly that for a moment, you almost believe such a creature could exist.
The twist, of course, is that the house hippo is completely fictional. The commercial wraps up with a reminder not to accept everything on television as truth. This clever mix of whimsy and education helped the ad become a cult favourite. Even years later, the house hippo remains a symbol of media literacy, reminding viewers to question what they’re shown rather than just taking it at face value.
The task was to purposely create an anti-climax for a TV show. And he did that to an ultimate degree.
Taskmaster is a British comedy panel show created by comedian Alex Horne and hosted by Greg Davies. Since its debut in 2015, it has become a beloved fixture on UK television, known for its unique format where contestants, usually comedians, compete in a series of unusual and often absurd challenges set by the Taskmaster himself, Greg Davies. The show combines clever creativity, humour, and unpredictability, with Alex Horne serving as the assistant who explains the tasks and keeps track of scores. Taskmaster has received critical acclaim for its fresh take on the panel show format and has inspired international versions around the world.
Acorn Media International has announced the release of Whitstable Pearl Series 3, set for its DVD and digital release on 4 August, alongside the Series 1 to 3 Box Set, following its run on U&Drama.
And to celebrate we have a copy of Series 3 on DVD to give away!
Synopsis:
Return once again to Whitstable, the idyllic 16th century seaside town, famous for its oysters. The series is based on the bestselling novels by local writer Julie Wassmer (Eastenders) and brought to life by co-creator Øystein Karlsen (Exit, So Long, Marianne), the award-winning Norwegian filmmaker. The highly-anticipated third series of this much-loved crime drama sees the return of Howard Charles (Top Boy, Shadow and Bone) as the brooding DCI Mike McGuire, Frances Barber (Silk, The Chelsea Detective) as Pearl’s mum Dolly, Rohan Nedd (Harry Wild, Blue Story) as Pearl’s son Charlie and Robert Webb (Peep Show, That Mitchell and Webb Look) also resumes his role as Pearl’s boyfriend Tom, rounding out a stellar cast.
Series three finds the Whitstable Pearl restaurant thriving and so is Pearl’s (Godliman) detective sideline. After a short hiatus, DCI Mike McGuire (Charles) returns to Whitstable, re-energised, and determined to make progress in his quest for self-healing. He and Pearl continue to make a formidable team as they work through various cases together – Pearl never needing Mike’s help as much as he needs hers. As cracks start to show in Pearl and Tom’s relationship and Mike finally comes to terms with how his wife died, will the duo finally acknowledge their deep feelings for one another?
Take a trip to the beautiful coast with Whitstable Pearl Series 3 for a fresh helping of suspense, secrets and seaside charm.
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions
1. Closing date 11-08-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
"The Landlord" is a short comedy film starring Will Ferrell, released on April 12, 2007. In this hilarious sketch, Ferrell plays a tenant who has a memorable and awkward encounter with his landlord. The film is known for its absurd humour and Ferrell’s signature over-the-top performance. It captures the often uncomfortable and bizarre dynamics that can happen between tenants and landlords, turning a common situation into a comedy highlight.
Will Ferrell is an American actor, comedian, writer, and producer best known for his energetic and often absurd comedic style. Rising to fame as a cast member on "Saturday Night Live" in the late 1990s, he became a household name with hits like "Anchorman," "Elf," and "Step Brothers." Ferrell’s unique blend of physical comedy and deadpan delivery has made him one of the most influential comedic actors of his generation. Beyond acting, he has co-founded the comedy website Funny or Die and continues to produce and star in projects that push the boundaries of humour.
The Trial of Tim Heidecker is not your typical courtroom drama. In fact, it is not a real trial at all. Instead, it’s an elaborate and clever piece of comedy crafted within the satirical universe of On Cinema at the Cinema, a web series starring Tim Heidecker and Gregg Turkington. What makes this “trial” stand out is how it blurs the line between fiction and reality, creating a captivating mock trial that feels surprisingly authentic.
At its core, the series presents Tim Heidecker as a man facing twenty counts of second-degree murder, linked to a fictional tragedy known as the Electric Sun 20 incident. The production mimics the style of a televised courtroom trial, complete with tense exchanges, witness testimonies, and dramatic legal maneuvers. But all of this unfolds as part of a larger comedic narrative rather than actual legal proceedings.
The Trial is deeply rooted in the world of On Cinema, a show that parodies film reviews but has expanded into a sprawling comedy universe. Over time, Tim and Gregg’s on-screen rivalry has evolved into a saga with spin-offs, live specials, and even mock political campaigns. This trial adds another layer to that story, giving fans an immersive experience that mixes satire, performance art, and dark humour.
What makes this mock trial particularly engaging is how committed everyone involved is to the bit. The acting is so convincing that viewers can easily forget it’s all fiction, which has helped the series gain a devoted cult following. Fans passionately debate the outcome and align themselves as “Timheads” or “Greggheads,” treating the mock drama with genuine enthusiasm.
The Trial of Tim Heidecker is a unique blend of comedy, theatre, and media satire that pushes the boundaries of traditional storytelling. It showcases how far a joke can go when the performers fully embrace the premise, making it a standout piece in the landscape of modern digital entertainment.
Screen icons Greta Scacchi and Bryan Brown are back as Darby and Joan, once again hitting the open road for more crime-solving adventures in the heart of Australia.
And to celebrate we have a copy of the series 2 on DVD to give away!
Synopsis:
The second series picks up one year on and the friendship between Jack (Bryan Brown – Cocktail, Anyone but You) and Joan (Greta Scacchi – White Mischief, Bodies) is stronger than ever, however, the road ahead is still rocky. Jack is determined to clear his name after a scandal that ended his career is unearthed. Convinced that someone out there holds the key to what really happened on that fateful night, he sets off to investigate. Ever persistent and endlessly curious, Joan insists on joining the hunt but as their journey leads them through more stunning landscapes and puzzling cases, it becomes clear that someone is following their trail.
As they travel through Queensland their quest becomes a race against time. Can the dynamic duo really uncover the truth after all these years, or will their search for answers only unearth more questions?
From windswept coastlines to dusty desert towns, Darby and Joan delivers another dose of sun-drenched escapism with heartwarming chemistry, quirky mysteries and a deeper dive into the secrets that still haunt Jack. There’s never been a better time to hit the road with this unforgettable pair as the second series arrives just in time for some summer sleuthing.
For irresistible leads, breathtaking scenery and an undercurrent of intrigue, strap in and get ready to hit the road again with Darby and Joan. There’s more charm, more twists and more heart as their journey continues…
What is the name of the character played by Bryan Brown?
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions
1. Closing date 04-08-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
In the summer of 1988, Wembley Stadium was packed for Nelson Mandela’s 70th birthday tribute concert, a star-studded event celebrating the South African leader’s life and struggle. One of the evening’s biggest draws was Stevie Wonder. But when his hard disk with all his pre-recorded tracks went missing, his set was suddenly impossible to perform. The audience waited. Backstage, organisers scrambled.
In that moment of chaos, someone made a bold call. Tracy Chapman, barely known beyond a handful of radio stations, had already played a short set earlier in the day. With time to fill and nerves running high, she was asked to go back out. Alone on stage, guitar in hand, she played “Fast Car”.
It was quiet at first. Then the crowd leaned in.
The simplicity of it, just her voice and that aching, restless melody, cut through everything. No big production. No lights or effects. Just a song that landed exactly where it needed to.
In the weeks that followed, the ripple effect was massive. Sales of her debut album exploded. A million copies were sold within a month. That one unexpected encore launched her into global recognition.
Stevie Wonder got his gear working eventually. But by then, Tracy Chapman had already arrived.
More and more teachers are leaving the profession, not quietly and not because they’ve stopped caring. It’s the opposite. They’re walking away because they care too much and are being crushed by a system that keeps asking more while offering less.
One of the clearest signs something is broken? The number of high school students who can’t read. Not struggling with tough material or falling a little behind. We’re talking about teenagers who can’t read at even a basic level. Some can’t sound out simple words. Others are unable to understand a short paragraph.
And this isn’t rare. It’s not one school or one district. It’s happening across the country, in classrooms where teachers are being asked to do the impossible. Teach grade-level content to students who are reading years behind, all while managing behaviour, preparing students for standardised tests, and dealing with endless admin.
There’s no magic fix for this. Teachers know that. They’re creating extra materials, staying after hours, trying to bridge gaps that have been widening for years. Some of those gaps were there long before the pandemic. Others deepened during school closures and remote learning. Now, it’s the teachers who are being asked to patch everything up without any real support.
The heartbreak comes from watching kids who’ve already lost faith in school. Kids who act out, not because they don’t want to learn, but because they’ve been left behind for so long they’ve stopped trying. Teachers see it in their faces. The shame, the frustration, the disconnect.
And after a while, it becomes too much. Not because they don’t want to help, but because they no longer believe they can. They’re exhausted. Not just tired, but emotionally spent from carrying a burden that isn’t theirs alone. They’re tired of being blamed for poor results when the problems start long before those students walk into their rooms.
Some stay. They keep showing up, doing everything they can. But many others are saying they’ve had enough. Not because they don’t believe in the job, but because they no longer recognise it.
Cole should have turned 24 this year. His parents should have been celebrating with him, maybe having cake, maybe just laughing about something small. Instead, they’re left marking the day with memories. Two years on, they’re still asking the same question: how did a young man with insurance end up dying from a preventable asthma attack?
Cole had a job. He had health coverage through his employer in Wisconsin. He also had asthma, a condition he managed with daily medication. That management relied on a specific inhaler, one he thought would be covered like it always had been.
But when he went to the pharmacy to get a refill, he was told it would now cost over $500. The preventive inhaler that had once cost around $67 had suddenly become out of reach. The reason? OptumRx, the pharmacy benefit manager, had removed it from their list of covered drugs. His doctor wasn’t notified. He wasn’t given a proper warning. According to his parents, no one offered a proper alternative.
He walked away with just an emergency inhaler, the kind meant for last-minute attacks, not day-to-day control. Days later, that inhaler was found empty next to his bed. He’d died of a severe asthma attack alone in his room.
The pharmaceutical company behind the decision says $5 copays were technically available, and that instructions were sent to Walgreens to contact Cole. Walgreens has expressed condolences but hasn’t shared details, citing privacy. His parents say none of that information ever reached their son.
They didn’t even know he was struggling with access until they got to the ICU and heard it from his roommate. There’d been no warning signs, no clue anything was wrong. Just one missing refill that changed everything.
Cole’s story now sits at the centre of a broader investigation, part of NBC’s “The Cost of Denial” series. It highlights a grim truth: insurance doesn’t always mean protection. When a covered drug is removed, even temporarily, it can leave patients stranded without real-time solutions. For Cole, there was no buffer. No one stepped in. No safety net caught him.
His parents have since had his tattoo inked onto their own wrists. It's a quiet reminder, one that carries a simple message: keep going. Remember, live. But underneath that is something heavier. A frustration that hasn’t faded, and a grief shaped not just by loss but by the knowledge that it didn’t have to happen.
This wasn’t about neglect or recklessness. It was about a young man doing the right thing, playing by the rules, only to be let down by a system that shifted the goalposts without telling him.
And that’s what stays with you. Not just the loss, but the silence around it.
In early 2020, Deborah Dugan, the CEO of the Recording Academy, the organisation behind the Grammy Awards, shocked the music world with serious accusations. She publicly claimed that the Grammy Awards were rigged. Her statement questioned the fairness and transparency of one of the biggest nights in music.
Dugan’s concerns focused on the nomination process. She suggested that some artists and songs were being favoured because of personal connections or business relationships with people on the Academy’s board. This, she said, created a conflict of interest and undermined the integrity of the awards. The suggestion was that decisions were not always based purely on merit or talent but on who you knew.
Her time as CEO was short. She was appointed in August 2019 but by January 2020, just days before that year’s Grammy ceremony, she was put on administrative leave. The Recording Academy said the suspension was due to a formal allegation of misconduct. Dugan responded by filing a complaint with the Equal Employment Opportunity Commission, accusing the Academy of retaliation and discrimination. She insisted she was trying to bring much-needed change to the organisation, especially in making the awards process more open and inclusive.
The situation sparked a lot of discussion about how the Grammys are run behind the scenes. Many people praised Dugan for speaking out and shining a light on problems that had been whispered about for years. Critics of the Grammy Awards have often argued that the process lacks transparency and that some artists or genres are overlooked unfairly. Dugan’s claims brought those issues into the public eye.
Since then, the Recording Academy has made some changes. They removed secret committees that used to decide nominations and introduced measures to improve diversity and fairness.
Pope Francis has once again demonstrated his commitment to social justice by donating the remaining money from his personal funds to a unique rehabilitation project. The funds, estimated at around €200,000, were given to support a pasta factory run inside the Casal del Marmo juvenile detention centre in Rome. This initiative aims to provide young detainees with valuable skills and a chance for a fresh start.
The pasta factory, known as Pastificio Futuro, was established by a social cooperative to help inmates gain work experience and vocational training. By engaging in pasta making, the young men learn a trade that can assist them in rebuilding their lives once they leave detention. The project is much more than just producing pasta; it is about restoring hope and offering a path towards reintegration into society.
Pope Francis has long been known for his compassion towards prisoners and his belief in redemption. Early in his papacy, he visited the Casal del Marmo centre and washed the feet of 12 young inmates, a gesture symbolising humility and solidarity. This recent donation continues that legacy, reinforcing the message that no one should be forgotten or left without hope.
The Pope’s generous gift is a testament to his dedication to the dignity of every person, regardless of their background. By supporting projects like Pastificio Futuro, he encourages society to look beyond punishment and towards rehabilitation and opportunity. This act of kindness highlights the importance of offering young offenders a chance to change their futures through meaningful work and support.
Some of the most memorable and amusing moments in professional wrestling history happened in World Championship Wrestling (WCW) when Sting would dramatically remove an iconic plastic mask, only to reveal, quite simply, that it was him underneath. This moment stands out because it played with the classic wrestling trope of masked wrestlers and their hidden identities, but did so in a way that surprised and entertained fans alike.
Sting’s painted face was a part of his look during a crucial phase of his career in the late 1990s. The mask gave him a mysterious, almost otherworldly aura, setting him apart from other wrestlers in the promotion. Fans were used to the idea that masks concealed a wrestler’s true identity or added an extra layer to their character. So when Sting chose to dramatically remove the mask in the middle of a heated storyline, expectations were high for a shocking reveal.
However, instead of unveiling a new persona or a hidden wrestler beneath, Sting simply showed that the man behind the mask was, in fact, the same Sting everyone had known all along. This moment became funny and somewhat self-aware, as it gently poked fun at the sometimes over-the-top nature of wrestling gimmicks. The reveal was a reminder that while wrestling thrives on drama and mystery, it also has a playful side that can surprise fans in unexpected ways.
The scene quickly became a beloved moment among wrestling enthusiasts because of its simplicity and charm. It broke the usual pattern of mask reveals by embracing honesty wrapped in theatrical flair. Sting’s mask removal showed that even in a world built on larger-than-life characters, sometimes the best entertainment comes from a clever twist on the familiar. This moment remains a lighthearted highlight in WCW’s rich history.
The inimitable Lucy Lawless is back for more My Life is Murder, as the brilliantly unapologetic private detective, Alexa Crowe, for the fourth series of this much-loved crime drama.
And to celebrate we have a copy of Series 4 on DVD to give away!
Synopsis:
Retired cop turned tenacious private detective, Alexa Crowe (Lawless) is back, with her dry wit and brash style as she investigates a multitude of new crimes in this hugely entertaining series.
Series four introduces eight new mysteries, eight new worlds and eight new diabolical killers that only Alexa Crowe can catch, and her friends and family are coming along for the ride. Tech guru Madison (Ebony Vagulans – The Furies) is stepping up as she contributes her considerable technical skills to Alexa's investigations and the duo fall into a comfortable mentor-mentee relationship – though neither of them will ever agree on who is the teacher and who is the student. Cafe owner Reuben (Joe Naufahu – Game of Thrones) is stepping in and brother Will (Martin Henderson – Grey’s Anatomy) is staying close by. Plus, Detective Harry (Rawiri Jobe – Shortland Street) has Alexa’s back and cranky cat, Chowder, can’t help but complicate everything.
Whether it’s investigating homicidal hairdressers, brutal ballet dancers, wicked widows, or even a case of deadly stir fry, Alexa is determined to uncover the most carefully hidden secrets that crack Auckland’s most bewildering mysteries. But when a case digs up her painful past, Alexa herself becomes a suspect and she’ll need her friends’ help more than ever to clear her name.
With a fifth series already in the pipeline, now is the perfect time to catch up with My Life is Murder for a thrilling mystery adventure full of sharp wit, charming characters and plenty of drama.
Acorn Media International to release My Life is Murder Series 4 on DVD and digital 30 June, alongside My Life is Murder Series 1 - 4 Box Set, following its run on U&Alibi.
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