"The Landlord" is a short comedy film starring Will Ferrell, released on April 12, 2007. In this hilarious sketch, Ferrell plays a tenant who has a memorable and awkward encounter with his landlord. The film is known for its absurd humour and Ferrell’s signature over-the-top performance. It captures the often uncomfortable and bizarre dynamics that can happen between tenants and landlords, turning a common situation into a comedy highlight.
Will Ferrell is an American actor, comedian, writer, and producer best known for his energetic and often absurd comedic style. Rising to fame as a cast member on "Saturday Night Live" in the late 1990s, he became a household name with hits like "Anchorman," "Elf," and "Step Brothers." Ferrell’s unique blend of physical comedy and deadpan delivery has made him one of the most influential comedic actors of his generation. Beyond acting, he has co-founded the comedy website Funny or Die and continues to produce and star in projects that push the boundaries of humour.
The Trial of Tim Heidecker is not your typical courtroom drama. In fact, it is not a real trial at all. Instead, it’s an elaborate and clever piece of comedy crafted within the satirical universe of On Cinema at the Cinema, a web series starring Tim Heidecker and Gregg Turkington. What makes this “trial” stand out is how it blurs the line between fiction and reality, creating a captivating mock trial that feels surprisingly authentic.
At its core, the series presents Tim Heidecker as a man facing twenty counts of second-degree murder, linked to a fictional tragedy known as the Electric Sun 20 incident. The production mimics the style of a televised courtroom trial, complete with tense exchanges, witness testimonies, and dramatic legal maneuvers. But all of this unfolds as part of a larger comedic narrative rather than actual legal proceedings.
The Trial is deeply rooted in the world of On Cinema, a show that parodies film reviews but has expanded into a sprawling comedy universe. Over time, Tim and Gregg’s on-screen rivalry has evolved into a saga with spin-offs, live specials, and even mock political campaigns. This trial adds another layer to that story, giving fans an immersive experience that mixes satire, performance art, and dark humour.
What makes this mock trial particularly engaging is how committed everyone involved is to the bit. The acting is so convincing that viewers can easily forget it’s all fiction, which has helped the series gain a devoted cult following. Fans passionately debate the outcome and align themselves as “Timheads” or “Greggheads,” treating the mock drama with genuine enthusiasm.
The Trial of Tim Heidecker is a unique blend of comedy, theatre, and media satire that pushes the boundaries of traditional storytelling. It showcases how far a joke can go when the performers fully embrace the premise, making it a standout piece in the landscape of modern digital entertainment.
Screen icons Greta Scacchi and Bryan Brown are back as Darby and Joan, once again hitting the open road for more crime-solving adventures in the heart of Australia.
And to celebrate we have a copy of the series 2 on DVD to give away!
Synopsis:
The second series picks up one year on and the friendship between Jack (Bryan Brown – Cocktail, Anyone but You) and Joan (Greta Scacchi – White Mischief, Bodies) is stronger than ever, however, the road ahead is still rocky. Jack is determined to clear his name after a scandal that ended his career is unearthed. Convinced that someone out there holds the key to what really happened on that fateful night, he sets off to investigate. Ever persistent and endlessly curious, Joan insists on joining the hunt but as their journey leads them through more stunning landscapes and puzzling cases, it becomes clear that someone is following their trail.
As they travel through Queensland their quest becomes a race against time. Can the dynamic duo really uncover the truth after all these years, or will their search for answers only unearth more questions?
From windswept coastlines to dusty desert towns, Darby and Joan delivers another dose of sun-drenched escapism with heartwarming chemistry, quirky mysteries and a deeper dive into the secrets that still haunt Jack. There’s never been a better time to hit the road with this unforgettable pair as the second series arrives just in time for some summer sleuthing.
For irresistible leads, breathtaking scenery and an undercurrent of intrigue, strap in and get ready to hit the road again with Darby and Joan. There’s more charm, more twists and more heart as their journey continues…
What is the name of the character played by Bryan Brown?
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions
1. Closing date 04-08-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
In the summer of 1988, Wembley Stadium was packed for Nelson Mandela’s 70th birthday tribute concert, a star-studded event celebrating the South African leader’s life and struggle. One of the evening’s biggest draws was Stevie Wonder. But when his hard disk with all his pre-recorded tracks went missing, his set was suddenly impossible to perform. The audience waited. Backstage, organisers scrambled.
In that moment of chaos, someone made a bold call. Tracy Chapman, barely known beyond a handful of radio stations, had already played a short set earlier in the day. With time to fill and nerves running high, she was asked to go back out. Alone on stage, guitar in hand, she played “Fast Car”.
It was quiet at first. Then the crowd leaned in.
The simplicity of it, just her voice and that aching, restless melody, cut through everything. No big production. No lights or effects. Just a song that landed exactly where it needed to.
In the weeks that followed, the ripple effect was massive. Sales of her debut album exploded. A million copies were sold within a month. That one unexpected encore launched her into global recognition.
Stevie Wonder got his gear working eventually. But by then, Tracy Chapman had already arrived.
More and more teachers are leaving the profession, not quietly and not because they’ve stopped caring. It’s the opposite. They’re walking away because they care too much and are being crushed by a system that keeps asking more while offering less.
One of the clearest signs something is broken? The number of high school students who can’t read. Not struggling with tough material or falling a little behind. We’re talking about teenagers who can’t read at even a basic level. Some can’t sound out simple words. Others are unable to understand a short paragraph.
And this isn’t rare. It’s not one school or one district. It’s happening across the country, in classrooms where teachers are being asked to do the impossible. Teach grade-level content to students who are reading years behind, all while managing behaviour, preparing students for standardised tests, and dealing with endless admin.
There’s no magic fix for this. Teachers know that. They’re creating extra materials, staying after hours, trying to bridge gaps that have been widening for years. Some of those gaps were there long before the pandemic. Others deepened during school closures and remote learning. Now, it’s the teachers who are being asked to patch everything up without any real support.
The heartbreak comes from watching kids who’ve already lost faith in school. Kids who act out, not because they don’t want to learn, but because they’ve been left behind for so long they’ve stopped trying. Teachers see it in their faces. The shame, the frustration, the disconnect.
And after a while, it becomes too much. Not because they don’t want to help, but because they no longer believe they can. They’re exhausted. Not just tired, but emotionally spent from carrying a burden that isn’t theirs alone. They’re tired of being blamed for poor results when the problems start long before those students walk into their rooms.
Some stay. They keep showing up, doing everything they can. But many others are saying they’ve had enough. Not because they don’t believe in the job, but because they no longer recognise it.
Cole should have turned 24 this year. His parents should have been celebrating with him, maybe having cake, maybe just laughing about something small. Instead, they’re left marking the day with memories. Two years on, they’re still asking the same question: how did a young man with insurance end up dying from a preventable asthma attack?
Cole had a job. He had health coverage through his employer in Wisconsin. He also had asthma, a condition he managed with daily medication. That management relied on a specific inhaler, one he thought would be covered like it always had been.
But when he went to the pharmacy to get a refill, he was told it would now cost over $500. The preventive inhaler that had once cost around $67 had suddenly become out of reach. The reason? OptumRx, the pharmacy benefit manager, had removed it from their list of covered drugs. His doctor wasn’t notified. He wasn’t given a proper warning. According to his parents, no one offered a proper alternative.
He walked away with just an emergency inhaler, the kind meant for last-minute attacks, not day-to-day control. Days later, that inhaler was found empty next to his bed. He’d died of a severe asthma attack alone in his room.
The pharmaceutical company behind the decision says $5 copays were technically available, and that instructions were sent to Walgreens to contact Cole. Walgreens has expressed condolences but hasn’t shared details, citing privacy. His parents say none of that information ever reached their son.
They didn’t even know he was struggling with access until they got to the ICU and heard it from his roommate. There’d been no warning signs, no clue anything was wrong. Just one missing refill that changed everything.
Cole’s story now sits at the centre of a broader investigation, part of NBC’s “The Cost of Denial” series. It highlights a grim truth: insurance doesn’t always mean protection. When a covered drug is removed, even temporarily, it can leave patients stranded without real-time solutions. For Cole, there was no buffer. No one stepped in. No safety net caught him.
His parents have since had his tattoo inked onto their own wrists. It's a quiet reminder, one that carries a simple message: keep going. Remember, live. But underneath that is something heavier. A frustration that hasn’t faded, and a grief shaped not just by loss but by the knowledge that it didn’t have to happen.
This wasn’t about neglect or recklessness. It was about a young man doing the right thing, playing by the rules, only to be let down by a system that shifted the goalposts without telling him.
And that’s what stays with you. Not just the loss, but the silence around it.
In early 2020, Deborah Dugan, the CEO of the Recording Academy, the organisation behind the Grammy Awards, shocked the music world with serious accusations. She publicly claimed that the Grammy Awards were rigged. Her statement questioned the fairness and transparency of one of the biggest nights in music.
Dugan’s concerns focused on the nomination process. She suggested that some artists and songs were being favoured because of personal connections or business relationships with people on the Academy’s board. This, she said, created a conflict of interest and undermined the integrity of the awards. The suggestion was that decisions were not always based purely on merit or talent but on who you knew.
Her time as CEO was short. She was appointed in August 2019 but by January 2020, just days before that year’s Grammy ceremony, she was put on administrative leave. The Recording Academy said the suspension was due to a formal allegation of misconduct. Dugan responded by filing a complaint with the Equal Employment Opportunity Commission, accusing the Academy of retaliation and discrimination. She insisted she was trying to bring much-needed change to the organisation, especially in making the awards process more open and inclusive.
The situation sparked a lot of discussion about how the Grammys are run behind the scenes. Many people praised Dugan for speaking out and shining a light on problems that had been whispered about for years. Critics of the Grammy Awards have often argued that the process lacks transparency and that some artists or genres are overlooked unfairly. Dugan’s claims brought those issues into the public eye.
Since then, the Recording Academy has made some changes. They removed secret committees that used to decide nominations and introduced measures to improve diversity and fairness.
Pope Francis has once again demonstrated his commitment to social justice by donating the remaining money from his personal funds to a unique rehabilitation project. The funds, estimated at around €200,000, were given to support a pasta factory run inside the Casal del Marmo juvenile detention centre in Rome. This initiative aims to provide young detainees with valuable skills and a chance for a fresh start.
The pasta factory, known as Pastificio Futuro, was established by a social cooperative to help inmates gain work experience and vocational training. By engaging in pasta making, the young men learn a trade that can assist them in rebuilding their lives once they leave detention. The project is much more than just producing pasta; it is about restoring hope and offering a path towards reintegration into society.
Pope Francis has long been known for his compassion towards prisoners and his belief in redemption. Early in his papacy, he visited the Casal del Marmo centre and washed the feet of 12 young inmates, a gesture symbolising humility and solidarity. This recent donation continues that legacy, reinforcing the message that no one should be forgotten or left without hope.
The Pope’s generous gift is a testament to his dedication to the dignity of every person, regardless of their background. By supporting projects like Pastificio Futuro, he encourages society to look beyond punishment and towards rehabilitation and opportunity. This act of kindness highlights the importance of offering young offenders a chance to change their futures through meaningful work and support.
Some of the most memorable and amusing moments in professional wrestling history happened in World Championship Wrestling (WCW) when Sting would dramatically remove an iconic plastic mask, only to reveal, quite simply, that it was him underneath. This moment stands out because it played with the classic wrestling trope of masked wrestlers and their hidden identities, but did so in a way that surprised and entertained fans alike.
Sting’s painted face was a part of his look during a crucial phase of his career in the late 1990s. The mask gave him a mysterious, almost otherworldly aura, setting him apart from other wrestlers in the promotion. Fans were used to the idea that masks concealed a wrestler’s true identity or added an extra layer to their character. So when Sting chose to dramatically remove the mask in the middle of a heated storyline, expectations were high for a shocking reveal.
However, instead of unveiling a new persona or a hidden wrestler beneath, Sting simply showed that the man behind the mask was, in fact, the same Sting everyone had known all along. This moment became funny and somewhat self-aware, as it gently poked fun at the sometimes over-the-top nature of wrestling gimmicks. The reveal was a reminder that while wrestling thrives on drama and mystery, it also has a playful side that can surprise fans in unexpected ways.
The scene quickly became a beloved moment among wrestling enthusiasts because of its simplicity and charm. It broke the usual pattern of mask reveals by embracing honesty wrapped in theatrical flair. Sting’s mask removal showed that even in a world built on larger-than-life characters, sometimes the best entertainment comes from a clever twist on the familiar. This moment remains a lighthearted highlight in WCW’s rich history.
The inimitable Lucy Lawless is back for more My Life is Murder, as the brilliantly unapologetic private detective, Alexa Crowe, for the fourth series of this much-loved crime drama.
And to celebrate we have a copy of Series 4 on DVD to give away!
Synopsis:
Retired cop turned tenacious private detective, Alexa Crowe (Lawless) is back, with her dry wit and brash style as she investigates a multitude of new crimes in this hugely entertaining series.
Series four introduces eight new mysteries, eight new worlds and eight new diabolical killers that only Alexa Crowe can catch, and her friends and family are coming along for the ride. Tech guru Madison (Ebony Vagulans – The Furies) is stepping up as she contributes her considerable technical skills to Alexa's investigations and the duo fall into a comfortable mentor-mentee relationship – though neither of them will ever agree on who is the teacher and who is the student. Cafe owner Reuben (Joe Naufahu – Game of Thrones) is stepping in and brother Will (Martin Henderson – Grey’s Anatomy) is staying close by. Plus, Detective Harry (Rawiri Jobe – Shortland Street) has Alexa’s back and cranky cat, Chowder, can’t help but complicate everything.
Whether it’s investigating homicidal hairdressers, brutal ballet dancers, wicked widows, or even a case of deadly stir fry, Alexa is determined to uncover the most carefully hidden secrets that crack Auckland’s most bewildering mysteries. But when a case digs up her painful past, Alexa herself becomes a suspect and she’ll need her friends’ help more than ever to clear her name.
With a fifth series already in the pipeline, now is the perfect time to catch up with My Life is Murder for a thrilling mystery adventure full of sharp wit, charming characters and plenty of drama.
Acorn Media International to release My Life is Murder Series 4 on DVD and digital 30 June, alongside My Life is Murder Series 1 - 4 Box Set, following its run on U&Alibi.
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions
1. Closing date 07-07-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
The first series of hit comedy, Amandaland, arrives on Blu-ray & DVD from Dazzler Media on 30th June!
And to celebrate, we have a great competition for you and a chance to win a copy on DVD
Synopsis:
Amandaland is the smash hit follow-up to the BAFTA winning comedy, Motherland. With a new second series recently announced, it’s the perfect opportunity to own and experience the hysterical first series in its entirety.
Post her divorce, Amanda (Lucy Punch) has had to downsize and up sticks to South Harlesden, or as the Estate Agent calls it, SoHa. With both Manus and Georgie now at secondary school, Amanda has to try and get her head around raising teenagers, dealing with modern motherhood horrors like teenage drinking, fake Instagram accounts and eco anxiety. Not even a woman as certain of her parenting as Amanda can deal with these nightmares alone.
Dazzler Media presents Amandaland: Series 1 on Blu-ray & DVD from 30th June
What's the name of the character played by Lucy Punch in Amandaland?
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions
1. Closing date 07-08-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
Paul Joseph Watson is a British commentator and video creator known for his sharp takes on politics, media, and culture. Starting out with viral YouTube videos, he gained attention for his confrontational style and willingness to question mainstream narratives. Over the years, he's built a large online following, particularly among audiences interested in free speech and media critique. Whether you agree with him or not, there's no denying his impact on digital commentary and his knack for sparking conversation.
The latest government-commissioned review into group-based child sexual exploitation in the UK has exposed serious failings in how authorities track and tackle grooming gangs, with particular scrutiny placed on the role of ethnicity in recorded cases. Led by Baroness Louise Casey and backed by Prime Minister Keir Starmer, the national audit found that in nearly two-thirds of cases, police failed to record the ethnicity of suspects at all, creating what Casey described as a “fundamental data void.” Without this basic information, a clear national picture has remained elusive for years, and systemic issues have gone unchallenged.
While the audit couldn’t produce definitive national stats due to the patchy data, it did highlight specific regional cases, especially in Greater Manchester, South Yorkshire, and West Yorkshire, where men of Pakistani or South Asian heritage were disproportionately represented in grooming convictions. These patterns echoed earlier, local investigations, but the review also made clear that political caution, fear of racism accusations, and institutional hesitancy contributed to a culture of silence. Agencies often avoided confronting the issue head-on, weakening their ability to prevent abuse and protect vulnerable children.
The findings have sparked a government-wide response. More than 800 closed or cold cases are set to be re-examined, and a statutory national inquiry is now underway. Home Secretary Yvette Cooper also announced legal reforms, including changes to ensure adults cannot claim consent when facing rape charges involving children under 16. The review’s message was unambiguous: child protection must override political discomfort. Ethnicity, when relevant, should be accurately recorded, not ignored, to properly understand and address these crimes.
The He-Man – What’s Going On – High Quality (Four Non Blondes) video is one of those rare internet gems that has stayed popular for years. It cleverly combines clips from the classic 1980s cartoon He-Man and the Masters of the Universe with a playful remix of 4 Non Blondes’ iconic song “What’s Up.” The result is both hilarious and oddly catchy, making it a viral sensation on YouTube and beyond.
What makes this video so memorable is its unexpected blend of nostalgia and humour. The original He-Man cartoon is known for its dramatic and heroic moments, but here the scenes are carefully edited to match the upbeat and slightly campy cover of the song. The animation syncs perfectly with the lyrics, creating a quirky and entertaining experience that feels fresh every time you watch it.
The video first gained attention through various reuploads and shares, with fans appreciating the clever editing and catchy tune. Over time, it became more than just a funny remix; it turned into a pop culture reference that many people recognise and quote. It even found its way into modern films, helping to introduce the meme to new audiences who might not have been familiar with the original cartoon.
What keeps viewers coming back to this video is its simple charm. It taps into a collective sense of nostalgia while adding a fun, light-hearted twist. Whether you grew up watching He-Man or you’re just discovering the remix for the first time, this viral video remains a delightful reminder of how creative internet culture can be.
Paul Joseph Watson is a British commentator and media personality known for his outspoken take on politics, culture, and current events. Originally rising to prominence through his work with Infowars, he later built a large independent following across social media platforms, where his direct style and unfiltered opinions have sparked both support and criticism.
Watson has a sharp sense of satire and often focuses on issues around media bias, censorship, and Western identity. Whether people agree with him or not, he’s carved out a distinct space in the online world by saying what others might avoid and doing it with a mix of dry humour and provocation.
Stuart Baldwin, a livestock farmer in Haydock, Liverpool, had reached breaking point after his land was targeted by fly-tippers 25 times in a single year. The latest incident saw more than 400 tyres dumped on his property, pushing him to take matters into his own hands.
Frustrated with the repeated illegal dumping, Stuart set up CCTV to catch the offender. The camera soon recorded the culprit returning to dump tyres once again. Using a photo posted by his daughter on social media, Stuart and his family identified the fly-tipper and tracked him down to his nearby home.
Giving the man three days to clear the tyres, Stuart hoped for a responsible response. When the deadline passed with no action, he decided to return the favour. Using one of the trucks from the family’s recycling business, SED Services Ltd, Stuart and friends transported the tyres and dumped them outside the culprit’s terraced house.
“Revenge is best served cold, isn’t it?” Stuart said. “I got sick of it, so I thought I’d do a bit back.”
He criticised the fly-tippers for their disregard, noting the ongoing damage to his land and the fact that residents can dispose of rubbish at local tips for free. “Fly-tipping is horrendous. We work the land, and scumbags go and tip rubbish on it,” he said. “It’s tyres and rubbish, you get all sorts. I just thought, ‘I’ve had enough of this.’”
Stuart’s actions have sparked conversations about the impact of fly-tipping on farmers and the importance of community vigilance. His determination to stand up against the problem serves as a warning that illegal dumping will not be tolerated.
During an undercover conversation, CNN stage manager Pablo Parada shared candid views on several high-profile figures at the network and beyond. He claimed to have met Joe Biden twice and noted a clear mental decline between the meetings, stating that “everybody knew” about it internally during Biden’s presidency. Parada also suggested Jake Tapper was aware but didn’t acknowledge it publicly, despite having written about it.
He described Tapper’s off-camera frustration with excessive Trump coverage and said anchors like Tapper don’t control editorial direction, which is decided in morning calls involving top producers and even the CEO. Parada added that Tapper prefers chatting about personal matters, especially his book, which he was reportedly sensitive about after being mocked by Jon Stewart.
Internally, Parada revealed that CNN might be facing another ownership change, with rumours of a potential sale following its transitions from Turner to AT&T, and now Warner Bros. Discovery. He also mentioned an alleged ultimatum given to anchor Kasie Hunt after multiple failed shows, and described Anderson Cooper as socially withdrawn with staff, yet noticeably more animated around high-profile guests.
The 2025 Tesla Model 3 arrives with the latest version of the company’s Full Self-Driving system, FSD 13.2.8, marking another step toward a future of autonomous mobility. This version brings a more refined experience that builds on Tesla’s existing framework, improving how the car perceives and reacts to the world around it.
One of the most practical new features is the ability to initiate Full Self-Driving from a parked position. This allows drivers to engage autonomous mode before even moving, making it especially useful in tight car parks or when starting a journey in complex surroundings. The system’s understanding of its environment continues to improve, thanks to updates in camera-based visibility detection. The car is now better able to assess road conditions, weather, and lighting, adjusting its driving decisions more accurately.
Unfortunately as this video shows, it is perhaps not perfected yet.
Mark Dice is a media analyst, author, and commentator known for his sharp, satirical takes on pop culture and the news cycle. With a background in communication and a natural gift for cutting through noise, he’s built a strong online presence, particularly on YouTube, where his commentary blends humour, critique, and a healthy dose of irreverence.
Over the years, he’s written several books tackling everything from media influence to political narratives, all with a focus on encouraging independent thought. His videos often go viral for their street interviews and deadpan delivery, but there’s a clear purpose behind the punchlines: to get people thinking more critically about what they’re told. Whether you agree with him or not, Mark’s commitment to challenging the mainstream and keeping things unpredictable has earned him a loyal following and a lasting place in online commentary.
Male body standards have changed significantly over the past two decades. In the early 2000s, mainstream media often celebrated lean, toned physiques. Actors like Brad Pitt in Fight Club and musicians like Justin Timberlake represented a look that was athletic but relatively slim. The focus was on definition rather than size. That trend marked a shift from the bulky, action-hero builds of the 1980s, favouring a body that seemed more achievable and natural.
Fast forward to the 2020s, and things have changed again. The cultural ideal for the male body has swung back toward the exaggerated muscularity that defined the 1980s. Large arms, wide shoulders, and chiseled chests have re-entered the spotlight in a big way. Superhero films have played a central role in this revival. The Marvel Cinematic Universe, along with other action franchises, now routinely features actors undergoing intense physical transformations. Chris Hemsworth, Henry Cavill, and even comedic actors like Kumail Nanjiani have appeared on screen with physiques that look closer to bodybuilders than average men.
This change reflects a growing demand for physical extremes. In the 1980s, muscularity often symbolised power, toughness and control. Arnold Schwarzenegger and Sylvester Stallone were icons not just for their roles, but for their size. That look was aspirational in a very particular way. It was meant to show dominance, not just health. In contrast, the early 2000s embraced a softer, more casual form of fitness. Six-pack abs were desirable, but extreme bulk was seen as outdated or excessive.
Today’s muscular standard seems to blend both eras. It has the size of the 1980s, but is now framed in terms of discipline, mental strength and self-care. While those values sound positive, they often come with unspoken pressure. Achieving that level of physical transformation typically requires strict diet control, intense workout routines and, in some cases, performance-enhancing drugs. Yet these details are rarely part of the public conversation. The result is a growing sense of inadequacy among men who feel they cannot keep up.
Social media adds fuel to this pressure. Instagram and TikTok promote visual content that rewards extremes. Fitness influencers post curated photos and training routines that may not reflect their real lives. The more widespread this content becomes, the more the hyper-muscular ideal seems normal. It creates an environment where looking merely fit is no longer enough. Bigger, leaner, and more defined is the new baseline.
Although these changing ideals are rarely discussed as openly as female body standards, their impact is clear. More men are speaking about body image struggles and unrealistic expectations. While the return to 1980s-style muscularity may reflect certain cultural values, it also raises important questions. What are we asking of men, and what are the hidden costs of those demands?
Body ideals will continue to evolve, but awareness of their influence is the first step toward a healthier and more realistic perspective.
Here is a video from Josh Brett on this very subject.
If you’ve been around wrestling for more than five minutes, chances are you’ve heard of Botchamania. It’s one of those internet gems that lives in its own little corner of wrestling fandom, quietly collecting every flub, stumble and hilarious miscue that happens in and around the ring. And somehow, it makes all of it feel like a weird kind of love letter to the sport.
The magic of it is that it's never mean-spirited. Sure, it pokes fun at wrestlers messing up moves or forgetting lines, but there’s always a sense that it’s coming from someone who genuinely adores wrestling. Creator Matthew Gregg has been putting the series together for years, editing every blown spot and awkward promo into something strangely comforting. Even if the matches go wrong, Botchamania reminds you why you fell in love with the whole chaotic mess in the first place.
It’s full of running jokes, low-res graphics and little references that long-time fans start to look forward to. You hear a certain bit of music or see that old video game transition and you know exactly what’s coming. It’s almost become its own little universe inside wrestling culture.
What makes it special is how it captures the human side of a business built on big characters and scripted drama. Mistakes are inevitable, and Botchamania doesn't hide them. It puts them front and centre, lets them breathe, and in doing so, gives fans another way to connect with a sport that’s as much about passion as it is about perfection.
Outdoor Boys is a family-focused YouTube channel that celebrates adventure, creativity and the joy of spending time in nature. Created by Luke Nichols, the channel features him and his three sons as they explore the outdoors together. From building shelters and fishing to crafting tools and going on epic camping trips, the videos are a mix of fun, hands-on learning and genuine family moments.
At its heart, Outdoor Boys is about curiosity and connection. Whether they’re navigating a river or setting up a campfire in the wilderness, the family shares a deep appreciation for the natural world and the experiences it offers. Their content is honest, practical and often playful, making it easy for viewers of all ages to enjoy. With a strong focus on family values and outdoor skills, the channel built a loyal audience that kept coming back for both inspiration and entertainment.
In 2025, Luke made the decision to step away from YouTube. After a period of rapid growth and growing public attention, he chose to prioritise his family’s privacy and well-being. The pressure of constant exposure and the demands of a massive online following led him to pause content creation in order to focus more fully on his children and to restore a sense of balance. While a few unfinished videos may still be released, the channel is no longer producing regular content.
Paul Joseph Watson is a British commentator and writer known for his engaging analysis on politics and culture. He gained recognition for his sharp insights and thought-provoking content across various digital platforms. Paul combines wit and a distinctive style to explore current events, often sparking discussion and debate. With a strong online presence, he connects with a wide audience interested in contemporary issues and commentary.
Acorn Media International have announced The Chelsea Detective Series 3 and Series 1 to 3 Box Set is set to arrive 9th June on DVD and digital, following its run on U&Drama.
And to celebrate, we have a great competition for you and a chance to win a copy on DVD
Synopsis:
DI Max Arnold (Scarborough) and his strong-willed partner DS Layla Walsh (Emme) investigate crimes that happen amidst Chelsea’s glossy façade. With four new murderous mysteries in their case files, the dynamic duo must investigate the suspicious death of a former popstar, the discovery of an ex-soldier’s body in an allotment, the brutal murder of an antiques dealer and the peculiar case of a climate scientist found dead in a stolen car. The stakes are higher than ever, and the pair must use every trick up their sleeves to bring these killers to justice, even if that means ruffling some feathers along the way.
But, while Max remains adept at solving crimes, things are far from straightforward in his personal life.. After all their ups and downs, Max and his estranged wife, Astrid (Marinca) attempt to revive their relationship with couples therapy. Will the pair be able to resolve their differences and rekindle their marriage?
For a thrilling detective drama guaranteed to entertain, treat yourself to a scenic tour of London’s most affluent borough with The Chelsea Detective, just make sure to keep your wits about you as these streets harbour the darkest of secrets.
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
Roughly 20 years ago, on 23 April 2005, the very first video was uploaded to YouTube. Titled Me at the Zoo, the 18-second clip features YouTube co-founder Jawed Karim standing in front of elephants at the San Diego Zoo. Filmed by a friend, the video is simple, casual, and understated, but it marked the beginning of a platform that would transform digital culture.
In the clip, Karim briefly comments on the elephants’ “really, really long trunks,” adding that “that’s pretty much all there is to say.” While the content itself is unremarkable, its significance lies in what it represented. This was the moment YouTube was officially born.
Since then, YouTube has grown from a small video-sharing site to one of the world’s largest platforms for content, community, and careers. From tutorials and entertainment to political commentary and education, the site now sees over 500 hours of video uploaded every minute and boasts more than 2 billion logged-in users each month.
The original video, Me at the Zoo, is still live on the site today. It remains a nostalgic snapshot of internet history and a quiet reminder of how far the platform has come.
In Haiti, one of the poorest countries in the Western Hemisphere, a distressing symbol of survival persists. On the outskirts of Port-au-Prince and in many rural areas, dirt cookies – known locally as galettes de boue – are made from a mixture of clay, salt, and vegetable shortening. For many families, these are not a novelty or cultural tradition, but a desperate measure to calm hunger when food is unaffordable or unavailable.
What Are Dirt Cookies?
The clay used in these cookies is typically sourced from the central plateau of Haiti and sold in open-air markets. It is sun-dried, mixed with salt and shortening, then flattened into discs and left to dry on rooftops or pavements. Once hardened, the cookies resemble oversized crackers with a pale beige tone.
Though they contain no nutritional value, they are often eaten by children and pregnant women to reduce the feeling of emptiness in the stomach. Some believe the clay contains minerals, but health experts say the risks outweigh any potential benefit. Consumption of these cookies can lead to malnutrition, stomach pain, infections, and exposure to toxins, especially if the clay is contaminated.
The Roots of the Crisis
The widespread consumption of dirt cookies reflects the deep food insecurity in Haiti, a country facing compounding crises. Years of political instability, natural disasters, gang violence, and economic collapse have pushed millions into poverty. Inflation has made basic groceries inaccessible for many households, with prices for staples like rice, beans, and oil doubling or tripling in recent years.
The United Nations has consistently ranked Haiti as one of the most food-insecure nations in the world. According to the World Food Programme, nearly half the population faces severe hunger. In some neighbourhoods, even accessing clean drinking water or a regular meal is a challenge.
Why It Continues
Dirt cookies cost far less than proper food. In a country where many live on less than £2 a day, a handful of these cookies may be all a family can afford. Vendors continue to sell them because there is a steady demand, and many women who produce them rely on this trade to earn a small income.
For those eating them, it is not a choice made lightly. It is an act of survival in a system where safety nets are few and international aid, while present, cannot meet the scale of need.
Following its transmission on the BBC, Acorn Media International announced Under the Vines Series 1 is set for release on DVD and digital from 2 June.
And to celebrate, we have a great competition for you and a chance to win a copy on DVD
Synopsis:
Renowned New Zealand star Rebecca Gibney (Wanted, Packed to the Rafters, The Flying Doctors) and British acting favourite Charles Edwards (The Crown, The Terror, The Lord of the Rings: The Rings of Power), are thrown together as two unlikely city slickers who inherit a failing vineyard in rural New Zealand.
Sydney socialite Daisy Munroe (Gibney) hops on a plane to Peak View, New Zealand for a holiday at her recently deceased stepfather’s winery, which she intends to sell. Little does she know that the vineyard has a co-owner, grumpy, British lawyer, Louis Oakley (Edwards), who has recently been disbarred and is heading to the remote wine region in order to escape a spiralling series of unfortunate life events.
Despite neither of them having done a hard day’s work in their lives and both despising each other on first meeting, the two must somehow make Oakley Winery successful so they can sell up, split the profits and get out. But nothing is ever as easy as it seems and the inexperienced duo face their own personal and financial crises, while fighting off the attention of a neighbouring vineyard who has their sights set on swindling the newcomers.
Escape Under the Vines for a delightful TV romp through scenic sights with laughs a plenty and maybe a refreshing drink or two along the way.
Who plays British lawyer, Louis Oakley in Under the Vines?
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions
1. Closing date 09-06-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
The imitable Sally Lindsay is back in The Madame Blanc Mysteries Series 4 for more awesome amateur sleuthing, French finds and delightful drama in the fabulous French town of Sainte Victoire.
And to celebrate, we have a great competition for you and a chance to win a copy of Series 4 on DVD.
Synopsis:
If you’re in need of some escapist charm, this much-loved series is guaranteed to please with its lovable cast, unusual antiques, murder, mystery, sunshine and laughter.
Following its Channel 5 transmission, The Madame Blanc Mysteries Series 4 and Series 1 – 4 Box Set are set to arrive on DVD 2 June 2025, courtesy of Acorn Media International, just in time for some summer sleuthing. The Madame Blanc Mysteries Series 4 will also be available to download and keep weekly after each episode airs.
We return to sunny Sainte Victoire with our favourite cosy crime fighting antiques dealer Jean White (Lindsay). The series three finale saw an end to Dom (Steve Edge – Benidorm, The Reluctant Landlord) and Jean’s will-they-won’t-they, delighting fans when Dom (Edge) finally told Jean how he felt. But the course of true love never did run smooth and the couple must now navigate their budding romance together, while solving a brand-new set of mysteries..
From a brutal murder in a magical Christmas market to the unravelling of a curse from an Egyptian God, the dynamic duo has a fresh slew of mysteries to solve and as always, end up in La Couronne with Uncle Patrick (Tony Robinson – Blackadder, Maid Marian and her Merry Men, Man Down) to enjoy a well-earned glass of wine.
Sainte Victoire also sees some new faces as Samantha Power (Ackley Bridge, Brassic), Charlie Condou (Coronation Street, Nathan Barley), Richard Blackwood (EastEnders, The Richard Blackwood Show), Danny Hatchard (Eastenders, Our Girl), Graeme Hawley (Finding Alice, Coronation Street), Lorraine Burroughs (Sweetpea, DCI Banks) and Edward MacLiam (Doctors, Holby City) guest star.
Pack your sun cream and magnifying glass and take a sun-soaked trip to Sainte Victoire for a treasure trove of delightful mysteries infused with heart and humour in The Madame Blanc Mysteries Series 4.
Who plays Uncle Patrick in The Madame Blanc Mysteries?
Send your name, address and of course the answer to competition365@outlook.com
Quick Terms and conditions
1. Closing date 09-06-25
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
A 24-year-old self-taught gambler is accusing major casinos of unfair play after they refused to honour his winning bets, despite a potential payout of over $800,000.
Thomas McPeek, who lives in the suburbs with his parents, says he spent months analysing betting markets and carefully structuring parlay bets that led to massive wins at two casinos in the United States. His gambling journey took him from Indiana to Iowa, where he placed a series of intricate sports wagers using kiosks instead of approaching betting clerks, hoping to stay anonymous and avoid detection.
“I was holding what should have been $800,000 worth of winning tickets,” McPeek said in an interview at his family home, surrounded by sports memorabilia. He claims his wins were the result of extensive preparation, referencing stacks of notebooks filled with research and betting strategies.
In August, McPeek visited the Horseshoe Casino in Hammond, Indiana, reportedly turning $30,000 into $350,000. A month later, he wagered again at the Isle Casino in Bettendorf, Iowa, this time winning another $450,000. Both casinos are operated by Caesars Entertainment.
But when McPeek returned to collect his winnings, the casinos refused to pay. According to McPeek, Caesars voided his tickets and pointed to house rules regarding structured betting and anti-money laundering regulations.
A printed policy sheet handed to him during his visit to the Iowa casino in January cited concerns around repeat wagering patterns and attempts to evade scrutiny. “Of course it’s not fair,” McPeek said. “They waited until the bets won before deciding not to pay me.”
McPeek admits to betting in small increments across numerous tickets to avoid triggering alerts, even changing his appearance with sunglasses and disguises to reduce recognition. “I just want to fly under the radar,” he said.
He has since been banned from several casinos, including Horseshoe and Blue Chip in Michigan City. While Blue Chip also barred him after a significant win, they did pay out over $127,000 before doing so. Caesars, however, has not issued any payment.
McPeek’s complaints to state regulators in Indiana and Iowa have so far seen limited success. Indiana’s gaming commission backed Caesars’ decision to void the bets. Iowa’s regulatory body is still reviewing the case.
Experts are split on the issue. Mike Lawton, a retired Nevada gaming regulator, suggested there may be behind-the-scenes details justifying the casino’s stance. Another former industry professional, Scott Morrow, was more critical of McPeek’s approach, arguing that his tactics aimed to circumvent established rules.
However, professional betting author Eli Feustel took McPeek’s side. “If Caesars had voided the bets before the games were played, it would have been fair. Waiting to see if he won first is the problem,” Feustel said.
McPeek is now considering legal action to reclaim his earnings, potentially setting the stage for a court case that could shine a spotlight on how far casinos can go to deny payouts based on player behaviour.
As it stands, his fate may ultimately be decided by a judge.
In a recent YouTube video titled Urban Kayaking | Exploring a Polluted Industrial River in NYC, creator Two Feet Outdoors takes viewers on a sobering yet fascinating paddle through a little-known stretch of the Hutchinson River. Launching from Mount Vernon, New York, he follows the waterway south into the Bronx, navigating through a landscape dominated by industry and heavy pollution.
In his own words, he expected the river to be toxic, but was still taken aback by the scale of the contamination and even witnessed what appeared to be active pollution during his trip. Despite the environmental damage, the video captures a surprising amount of wildlife, offering a stark contrast between nature’s resilience and the industrial sprawl that surrounds it.
This urban kayaking journey highlights the often-overlooked waterways of New York City and raises questions about environmental responsibility and restoration.
.jpg "The Trial of Tim Heidecker")
.jpg)
.jpg)
